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“Django Unchained” leaves me in the odd position of contributing to a problem while I propose a solution to it. Django’s not a serious film about slavery or race or anything really and does not warrant the attention or the controversy that it has created. It’s both a blood-soaked, action-packed romp and a rescue revenge story. It’s also a kind of thought experiment akin to gun rep Larry Ward’s claim that if slaves had had guns they could have shot their way to freedom. Nothing about Django as an idea is offensive or inspired or controversial, but that seems to be a problem for Tarantino. Django’s lack of the kind of depth and complexity that spawns real debate seems to have spurred the filmmakers to manufacture dissent by manipulating the press and pundits, which explains Tarantino’s criticism of Roots, his use of “niggers” and his pretend outrage at critics who question his…

Friedrich Nietzsche, when discussing the character of his countrymen, observed that to be German was to endlessly question ‘what is German’. Many attribute this sense of civic alienation to a combination of rapid industrialization, urban migration, and population explosion. The Germans were a people ‘becoming’ and ‘developing’, in the words of Nietzsche, like many or perhaps all nations today. Societies in the midst of change – real or imagined – find formerly bold, confident citizens questioning their national identity and its meaning. Extremist groups charge into this cultural void, first connecting the disaffected with one another – usually based on tribe, religion, or ethnicity- then connecting the group itself to some often mythic past. This use – and abuse – of history is not unique to extremists, but what distinguishes them from moderates is the way in which they deal with the nuances and contradictions of history. That which does…

The demise of the Jeremy Scott Adidas or what I’m calling the Dred Scott Adidas reminds me of an interesting experience that I had while participating – sitting in the audience really – in a panel discussion on film distribution about 10 or 12 years ago. As is often the case during talks about movie distribution, the conversation turned to diversity or lack there of, and some audience member pointedly asked a distribution representative why they did not distribute more films for the Hispanic market. The distribution guy nodded, appreciating the question of course, and went on to describe the complexity of the market and the difficulty of reaching a niche market with a niche product. By way of illustration, he told the story of distributing a film called ‘Star Maps’ to the Hispanic market. The distribution rep, aware of the dangers of stereotyping, noted that in general their research…

Last week, as rappers Jay Z and Kanye West were about to go onstage and perform their hit single ‘N*ggas in Paris’,  actress Gwyneth Paltrow tweeted “N*ggas in Paris for real” and caused a bit of controversy. There’s some debate about whether or not she was announcing the song or saluting her ‘niggas’ or whatever.  Regardless, a mediocre actress using the n-word in any context isn’t something we should be losing sleep over, but I was sort of surprised by the hearty defense that she got from some of Hip Hop’s elder statesmen and luminaries.  Black women have been attacked in and around the hip hop industry for decades,  but I’ve never seen so many prominent artists and spokesman leap to their defense. Dream, Nas, Ice T, Russell Simmons and perhaps more to follow donned their capes, strapped on their Kevlar and dove into the fray, announcing to the world…